Archive for February 26th, 2009

The 17-Inch MacBook Pro Review [Review]

February 26, 2009

While Apple grandly updated their notebook line to the new unibody design, the 17-inch MacBook Pro, Apple’s granddaddy of mobile computing, was left behind. Now, the 17-inch model joins its siblings—with promising bonus features.

Design

With nothing to scale this image, it’s nearly impossible to tell the new 17-inch MBP from the 13- or 15-inch unibody macs. From the outside, it’s the same thing, only bigger. At first it’s a little intimidating to see such a large, unadorned block of metal. But at 6.6 lbs, it’s actually not as heavy in your hands as you’d expect. And at .98-inches in stature, it’s only ever so slightly thicker (.03 inches) than the other two MacBooks.

Apple will tell you that the MBP17 is the thinnest, lightest 17-inch notebook in the world. We’ll tell you that for a monster of a laptop, it manages to not be too monstrous. The 17-inch (1920×1200) screen is a sharp, contrasty and colorful panorama, but it’s the little touches that make the MBP17 manageable: The system’s near-silent operation (using a 256GB SSD instead of a hard drive) is almost unnerving. Its underside gets warm, but never hot. And the unibody design makes particularly good sense in this larger size, as the wide chassis does not flex to your grip as you might expect.

The battery is one of the only components that’s significantly different than that of the smaller machines. Striving for 8-hours of battery life the newly designed power pack screws right into the chassis. (Lots more on that topic below.)

What’s missing, however, is the underside hatch that made for easy hard drive and battery replacement. This smart design feature, recently introduced in Apple’s 13- and 15-inch unibody laptops, has been replaced by a series of screws to remove the bottom panel, and another series of screws to remove the battery. Removing a few screws is by no means a horrendous exercise, but we can’t help but feel that it’s a step in the wrong direction. The most spend-happy pro users will be the most likely to crack the lid of their laptops—so this design choice will likely annoy a key part of the MBP17′s target audience.

What’s Different About It?

Compared to the MBP15

• Supports 8GB of RAM; the MBP15 only supports 4GB

• Includes a 256GB SSD option; the MBP15 only a 128GB

• The MBP17 includes five speakers with a wider frequency response

• There’s one extra USB port (3 total)

• Slightly faster processor options

(note: shot comparison of 13-inch model)

Compared to the old 17-inch MBP

• 40% larger battery (95WH vs. 68WH)

• Glossy and matte screen options are now available

• The screen has equal resolution, but a 60% wider color gamut

• Unibody structure, of course

Performance

The MBP17 features a 2.66 or 2.93GHz processor, up to 8GB of RAM and dual Nvidia 9400M (integrated) and 9600 (discrete) graphics cards. A 320GB 5400RPM hard drive comes standard, but that can be upgraded to a 320GB 7200RPM drive or a 128GB/256GB solid-state drive. (Note: There’s no option for a 500GB hard drive, though they are readily available if you want to swap one in.)

The model we tested was fully loaded, with a 2.93GHz processor, 8GB RAM and 256GB SSD.

Still, because the MBP17 is so similar to the 15 internally, we’re going to point you in the direction of our last review for benchmarks on the dual Nvidia 9400M and 9600 graphics cards. We also ran Xbench and uploaded the predictably impressive results to their database. However, one feature we wanted to be sure to check out was the new 256GB SSD option, a drive made by Toshiba. It’s a $750 upgrade that we were able to test in our review model.

SSD Speed Benchmarks:

Against the stock drive that comes with MBPs, the speed gains are obvious. However, the SSD market is still very young. There are only a handful of drives out there, so how do you know if Apple’s $750 offering is price competitive?

Searching through the XBench results forums, we found a user who tested out a G. Skill Titan 256GB SSD on a unibody mac. It’s not rated to be as fast as Samsung’s $1000 SSD gold standard, but according to these benchmarks, it’s still considerably faster than the drive Apple will sell you. The catch? The Titan runs $500, or $250 less than Apple’s bundled Toshiba. In other words, as with most upgrades, you’re still better off going through a third party for your SSD.

The other bonus to SSDs is how quickly they boot. From the picture, you can see that our MBP17 booted in 31 seconds, despite me having a few hundred icons on the desktop. The MBP15 (normal hard drive, 4GB RAM) took about 90 seconds to load a similar configuration, or “three times longer” in marketing speak.

Battery Life

Everything so far about the new MBP17 is all well and good, but we think there’s one claim in particular that’s going to interest consumers the most: A 7-8 hour battery life*.

*Assuming screen at half brightness, Wi-Fi on, light browsing, light word processing (so no Bluetooth but otherwise a standard configuration). 8 hours on integrated graphics, 7 hours with more beefy discrete GPU.

Indeed, the MBP17′s battery is huge. It takes up roughly the whole bottom half of the computer’s underside. To make the battery as big as possible, Apple removed even the battery’s removal mechanism. Apple’s lithium polymer pack screws in and promises a shelf life of 1000 complete charges—which also means 2000 half recharges or 4000 quarter recharges—before the battery depletes to 80% capacity.

And while we didn’t have the time to test Apple’s 1000 recharge claim, we were able to run some battery tests.

First we put the system up against a day of blogging. This test was admittedly harder than Apple’s cushy benchmarking, but I wanted to see how it would stand up to true pro use. So with the screen just a hair above half brightness, Wi-Fi on, Bluetooth off, backlit keyboard on, discrete graphics on, heavy web browsing and occasional Photoshop work, we achieved 3 hours 57 minutes of run time.

Should we be pissed? After all, Apple offers 7-8 hours in their ads! That’s your call. In truth, we’ve found that most laptops hit about half their rated battery life under real world conditions (cough, netbooks, cough). If we can only cover our ears and hum through Apple’s latest marketing campaign, we’re actually fairly pleased with about 4 hours of heavy use from a fully loaded 17-inch laptop—especially since that metric includes no real compromises to our workflow.

We also wanted to simulate watching a movie on the plane. So we played back an MPEG4 with the screen at half brightness, discrete graphics off, backlit keyboard off, Wi-Fi off, Bluetooth off and headphones in. We received 4 hours 39 minutes of run time. That’s nearly two hours longer* than we received from the MBP15, and 2 hours 30 minutes longer than we received from the MB13. That’s basically the difference between watching one movie and watching two.

*The previous MBP tests had Wi-Fi on, the backlit keyboard on and speakers on. These alterations should account for a small amount of the increase, but my no means a majority. The 17-inch unit also has an SSD, but these non-spinning drives don’t necessarily mean power savings.

For the Lazy Readers Needing a Summary

A 17-inch notebook has never been designed for the mainstream consumer. But then again, nothing about this MacBook Pro is aiming for the mainstream. It’s a laptop that starts at $2800, and our fully loaded test model runs a hair over $5,000. Its screen is as big as most CRT monitors from just a few years back.

The thing should feel like a beast on the couch, but it actually doesn’t. It’s almost frightening how quickly you adjust, appreciating the extra screen space while disregarding that this system is supposed to be a “laptop” in name only.

If you can get over the purported 8 hours of battery life and settle for longevity around half that number, you’ll be welcomed with a laptop that feels like a desktop but is actually a laptop. It’s a Cadillac that you can just about park, a triple cheeseburger in the bun of a double, a stocky man in a well-tailored suit. And we’re liking it. We just can’t help but ask, why can’t Apple fit a 256GB SSD or 8GB of RAM—or even a 4+ hour battery—into a 15-inch MBP?

It’s a big honking computer in a smallish package

As with the other unibody systems, the MBP17 runs cooler and quieter than past MacBooks

Battery life is reasonable, but will fall short for pro users looking for a true day of use

Apple’s Toshiba SSD upgrade is pricey for its performance

There’s no easy pop-off bottom panel like in other unibody models

External Sources [ifixit, Xbench]

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Gadget Deals of the Day [Dealzmodo]

February 26, 2009

Today our country’s $3.5 trillion budget was revealed, so why not earmark a bit in your own somewhat smaller budget (just guessing here) for some hot deals: games, TVs and, mmm, Dairy Queen.

Gaming:
Mercenaries 2 on PC for $14.99 plus free shipping (normally $19.99).
Team Fortress 2 on PC for $9.99 (normally $19.99).
Super Mario Galaxy on Wii for $34.99 plus free shipping (normally $49.99).
Rainbow Six on PC for $9.99 plus free shipping (normally $19.99).
Rainbow Six: Lockdown on PC for $9.99 plus free shipping (normally $19.99).

Computing Peripherals:
Logitech Cordless Click Optical Mouse for $12.99 (normally $25.99).
Nintendo Wii’s Logitech Cofdless Keyboard for $29.99 plus free shipping (normally $49.99).
Fantom Drives 500GB USB External Hard Drive for $49.99 (normally $89.99 – use rebates here and here).
Cavalry 1TB USB External Hard Drive for $94.99 plus free shipping (normally $134.99 – use this rebate form).
19” Widescreen LCD Monitor for $99.99 plus free shipping (normally $149.99).

Personal Portables and Accessories:
Canon Powershot A470 Digital Camera (refurbished) for $64.99 (normally $89.99).
Panasonic 1080p HD Camcorder for $529 plus free shipping (normally $1,681.92).
Kensington Noise Cancelling Headphones for $8.04 (normally $32.99 – use this rebate form and coupon code 2HR3NH394F2JM6).

HDTVs:
46” Westinghouse HDTV for $679.99 (normally $779.99 – use this rebate form).
52” Sharp Aquos 1080p LCD HDTV for $1,366.10 plus free shipping (normally $2,999.99 – use coupon code AFL5).
32” Westinghouse HDTV (refurbished) for $296.99 (normally $396.99 – valid today only).

Hobomodo:
250 Personalized Business Cards and Card Holder, Rubber Stamp, Custom Printed Shirt, 100 Postcards, 25 Business Card Magnets, 10 Invitations, 140 Return Address Labels, and Stick Notepad for $0.
3 RockStar Games Classics (GTA/GTA2/Wild Metal) for $0.
Lux iPhone 3G Charger for $0 (must buy one additional iPhone 3G accessory – use coupon code Dealnews3G12V).
$5 Dairy Queen Giftcard for $0 (normally $5 – must have a blog. First 250 bloggers get it).
1-year Subscription to Car and Driver Magazine for $0.

[Thanks GamerHotline, DealNews, SlickDeals, TechDealDigger, Fat Wallet and Bargainist.]


Save $300 on a Sony® BRAVIA® HDTV. Turn your 1040 into 1080p from Sony.

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Color-Changing Colonne RGB Lamp Might Induce Seizures [Lighting]

February 26, 2009

I’m not sure what I like better here: the fact that this lamp runs through every color of the spectrum, or that it has a remote so I don’t even have to get up.

Made by French company Colonne, the 6′ lamp uses two RGB drivers and 14 LEDs to power the three-color LED lighting system. And much like TVs, this lamp can reproduce the entire color spectrum by adjusting the levels of these three colors.

You can fixate on a single color, run through a preselected loop of 7 colors, or create your own pallate to look at. And using the remote, you can select what mode or color you want to view. But such convenience comes at a cost: a $2300 cost. [RGB Lamp via Nerd Approved]

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Can the Sonim XP1 Cellphone Really Survive a 9mm Shot? [Cellphones]

February 26, 2009

Sonim claims that their XP1 cellphone is virtually indestructible. In fact, they say it can survive a 9mm, so the people from Gadget Review took it to a shooting range and had some fun.

While it seems the Sonim XP1 can actually survive almost anything from drops to hammer hits, it looks like a 9mm bullet is just too much for it. [Gadget Review]

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Pirate Bay Trial Watch Day 9: Piracy Helps the Music Industry! [BitTorrent]

February 26, 2009

Today at The Pirate Bay trial, there were two expert witnesses, both of whom were sympathetic to the TPB cause. So of course, the IFPI tried to discredit their credentials rather than their ideas.

The first person up was Kristoffer Schollin, via telephone, who’s a lecturer in IT law with a focus on file sharing. He’s also written a paper on DRM. Here’s what he had to say:

• Essentially, TPB is an “open database” of .torrent files, like a BBS, making it harmless. After all, you can find more .torrent files with a Google search than with a Pirate Bay search. And hey, lots of legit companies use BT for perfectly legal uses!

• He also noted the difference between a site, like The Pirate Bay, and a tracker. He said that people know about sites, but trackers operate behind the scenes and regular people don’t know about them.

• Explaining how torrents are created, he described how most of the process takes place offline with nothing to do with TPB. Only after it’s been uploaded to the internet does TPB come into play, and Google can index it at that point.

• When the prosecutor asked him questions, he challenged many of their figures, like that TPB is responsible for 40% of internet traffic and that 50% of all torrents are hosted there.

The next witness was Roger Wallis, a media professor, composer and Chairman of the Swedish Composers of Popular Music and is involved in other outfits dedicated to the rights of musicians.

• He, again, said he didn’t see the difference between The Pirate Bay and search engines such as Google and criticized the industry for being so slow to adapt to new technology, bringing up the backlash against cassettes in the 70s.

• When asked if piracy damages sales in the music industry, he said that downloading increased the sales of concert tickets and that, while CD sales have dropped, they’ll go back up soon because people who download tend to buy more CDs.

• When the prosecution started questioning him, they immediately went after his credentials, asking if he was a proper professor. “Have you no better questions to ask?” asked Wallis. Later, he asked “Can you use Google? Then you could easily find my CV.” Oh, snap!

After Wallis left the stand, Peter Sunde of TPB showed an 8 minute video explaining how BitTorrent works, since the prosecution still doesn’t seem like it understands.

And that was a wrap. Fun times! [TorrentFreak]

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Ruin the Watchmen Movie by Inserting Stuff That Wasn’t in the Comic Book [Photoshop Contest]

February 26, 2009

We know the Watchmen movie isn’t going to be 100% faithful to the book, and that’s OK. But what sorts of stuff could Zack Snyder have inserted that would have ruined the entire thing?

For this week’s Photoshop Contest, I want you to ruin the upcoming Watchmen movie with completely inappropriate additions not found in the source material. There’s a great resource for high-res stills here that I suggest you use as a source.

Send me your best entries at contests@gizmodo.com with “Ruined Watchmen” in the subject line by next Tuesday morning. Name your files with a FirstnameLastname.jpg naming convention and use JPG, GIF or PNG as your file types. And have fun with it! Now get to it.

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Nutter Holds Victim With Sega Light Phaser for 10 Hours [Games]

February 26, 2009

Those Brazilians seem to have a problem with gaming and kidnapping. This time it was a crazy guy who used a Sega Light Phaser—from the good old Master System—to kidnap a woman for ten hours.

According to Brazilian new site Globo, the man invaded a house in Samambaia, a city near Brazil’s capital Brazilia, to get them to pay a debt of 42 reales ($111). However, instead of breaking their legs with a baseball bat, the guy tried to pew-pew them with a Sega Light Phaser, which if funny until you see the two kitchen knives he was also carrying with him.

After ten hours of negotiation, the man liberated the woman. According to the police, the man had previous charges for killing and drug abuse, which explains the use of the Light Phaser. [Kotaku]

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Giz Explains: Why Lenses Are the Real Key to Stunning Photos [Giz Explains]

February 26, 2009

When most of us talk digital cameras, we talk megapixels, ISO, image noise, shot-per-second speed and image processing. We’re tech geeks. But really, none of that stuff matters as much as your camera’s lens.

The lens is, after all, your camera’s eyeball—the image sensor or film can only record what comes in through the lens. It’s what defines the picture’s perspective, clarity and way more.

Lenses are actually a really complicated thing to talk about—if your job was to steer photons through tunnels of stretched glass, people would call you complicated too—so we’re gonna try to keep it to field basics, you should know to get around, rather than dive into the crazy physics and mathematical ratios and stuff.

Lens Terminology
Before we get into the basic lens types, you should know the two major numbers you’re looking at you when you talk about lenses: Focal length and aperture.

Focal length is the distance between the optical center of the lens and the point where it focuses the light coming into the lens (when a shot is in focus, that’s the image sensor or film). The diagram above, from Cambridge In Colour shows, very simply, what focal length refers to, and how it affects your pitchas. Here’s another pretty excellent, easy to understand explanation, with pictures showing the results of using different focal lengths on the same shot.

Practically, what you need to know is that focal length measured in millimeters, and that’s where you get, say, an 18-55mm lens, a 400mm telephoto or a 28-560mm lens found in a super-zoom camera. (You probably know this, but when you see “20x zoom lens,” the spec refers to the ratio of the longest focal length to the shortest—so 560 divided by 28.) Basically, the longer the focal length, the more magnified or “zoomed in” your photo can be.

Aperture is the other major spec on a lens, and something you deal with most on DSLRS. The aperture is the hole that actually lets the light into the camera, and you make can make it bigger or smaller. The size of the hole is expressed in terms of F-stops, or as you might see a lot F/2.8 or F2.8 or F8 or F11 or whatever.

The bigger the F number, the smaller the aperture, or hole. The smaller the number, the bigger the hole, which means the more light it lets in. The reason that’s good is that means you can shoot with a faster shutter speed, so you don’t get blurry photos, or when you’re shooting in low light, since more light can get through, which means you’re not forced to choose between shooting dark, blurry things or excessively grainy photos as you crank up the ISO (light sensitivity) to compensate for the lack of light. So, when someone’s talking about a “fast” lens, they’re talking about one with a big aperture, like F/1.8—easy to remember, you can shoot with faster shutter speeds with less light.

With a big aperture, you also have a shallower depth of field—subjects in focus are sharp, but everything around it is soft and blurry. A tighter aperture (higher F-stop number) lets you focus more at once, as you can see in the diagram above combined from Wikipedia. There’s more on depth of field here. Overall, we’re staying on the easy-to-swallow side, but if you’ve really got a hankering for F-stop knowledge, here’s a crazy detailed explanation.

Lens Types
Having fun yet? There are a few basic types of lenses, and of course, a whole bunch of specialized ones beyond that, like macro or tilt lenses. But here are the basics.

A normal lens is one with a perspective that looks a lot the perspective of the human eye. With a 35mm or full-frame camera, that’s about a 50mm lens, though it varies depending on the size of the film or image sensor. For instance, this 35mm Nikon lens is for their DX cameras, DX meaning it has a sensor that’s not “full” (equal to 35mm film). When that lens is attached to a DX camera, it’s the equivalent to a 50mm lens on a full-frame camera—making it normal.

A wide-angle lens is, most basically, one with a focal length that’s way shorter than a normal lens (which, again, varies depending on the size of the film or sensor). Wide angles are useful for take wide shots—-panoramas, or just trying to squeeze a huge group of people in a single picture without being 10 light years away. You can also do neato distortion tricks—a fisheye is just a crazy kind of wide-angle lens. Example Image: Ekilby/Flickr

A telephoto lens is one with a really long focal length (like 400mm). Since they’re designed like telescopes, they are physically more compact than their focal lengths, but they can still get pretty damn massive. They’re good for shooting stuff far, far away. Example Image Shiny Things/Flickr

A prime lens is just one with a fixed focal length—you can’t zoom in or out—and typically they produce sharper pictures than all-but-the-priciest zoom lenses. Any of the above lens types can be prime lenses, or zoom, below. This fisheye is a prime lens.

A zoom lens is one you can adjust the focal length on—zoom in and out—so you can shoot a variety of stuff with a single lens. The aperture tends to vary based on the focal length, unless you get a really pricey zoom lens that’s also “fast.”

Lens Brands and Compatibility
But, even looking at one company at a time, lenses are complicated and sticky. Take Canon, for instance. They’ve got a million different kinds of lens mounts (where the camera and lens fit together) for their single-lens reflex cameras, depending on how far back in time you go. Currently they’ve got two major kinds of lens mounts: EF (electro-focus because the focusing motor action is built into the lens) and and EF-S. The latter is for their entry-level to mid-range DSLRs only, because it’s made for their smaller (not full-frame, i.e., not 35mm equivalent) image sensors. Standard EF lenses will work on cameras with an EF-S mount, but EF-S lenses won’t work on cameras with a regular EF mount. And before that, there was the FD mount, which totally doesn’t work on DSLRs without an adapter.

Nikon isn’t quite as bad as here—they’ve had the same F-mount for over 40 years, so all their lenses with physically fit on the camera, but with their DSLRs, you’ve gotta watch out for their FX lenses (full-frame lenses like for the D700) vs. their DX lenses (like Canon, meant for their cameras with smaller APS-C sensors). When used on full-frame cameras, DX lenses will block out the corners of the picture since they’re supposed to cover a smaller image area. But overall, with Nikon you have the advantage of being able to use older lenses in a way you can’t with Canon gear. Ken Rockwell has a comprehensive tome about Nikon lenses and types for more.

The High Cost of Optics
Okay, great. Here’s a real question: Why are lenses so goddamned expensive? Well, as Steve Heiner, Nikon SLR-division technical marketing manager, told us, “You’re paying for materials and the process of creating the lens,” which, as you might guess, improves image quality. Faster apertures—which require larger glass elements in pro zoom lenses—heavier materials like metal, for durability, and touches like a nano-crystal coating that minimizes reflections for low-light shooting are things that make lenses cost hundreds or thousands or dollars. As a rep from Canon told us, there’s no real getting cheaper over time, like most other mechanical components. Precision optical glass just doesn’t work that way.

Materials are also what separate crummy lenses from good ones, which is why cheap lenses in cellphones suck—they’ve gotta be cheap, really tiny and really light and well, you can’t change physics—and why even cheap DSLR lenses aren’t as good as expensive-as-hell ones. Update: Daniel pointed out this pretty excellent video showing how lenses are made, which shines more light on why they’re so damn pricey:

At the same time, there is a lot of progress in lens tech happening—look at all the ultra wide-angle lenses popping up in point-and-shoots now. Canon says that’s cause you’ve got smaller image sensors (which as we noted above, changes the relation of the focal length), more aspherical lens elements (which are cheaper to make), a new kind of ultra high refractive index aspherical optical glass (uhhhh, don’t ask me) and the miniaturization of mechanical parts like AF motors.

There’s a lot we had to leave out, like chromatic aberration and lens flare, but we hope we gave you a pretty good starting point to learn about lenses. Real camera pros, feel free to leave more in the comments.

Still something you still wanna know? Send any questions about lenses, upskirts, or crazy weird Japanese photographers who swarm cosplayers to tips@gizmodo.com, with “Giz Explains” in the subject line. Also, thanks to Nikon for the lens diagrams!

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Playstation ‘DualShock Vortex’ Concept is Twisty and Crazy [Gaming]

February 26, 2009

This may be an interesting concept for a controller, but I can’t figure out what the point of it is. What’s the benefit of being about to twist the two sides of your controller around?

Apparently, it’s designed as another way to control what’s on the screen. You twist the controller, the dude on the screen twists the throttle, things like that. But it seems like it would have pretty limited uses, and would probably get on my nerves quickly. If the Wii has taught me anything, it’s that I’m perfectly fine with traditional controllers and get sick of gimmicky crap very quickly.

galleryPost(‘dualshockvortex’, 3, ”); Coroloft via NotCot]

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An Important Message From the Global Entertainment Industry [Piracy]

February 26, 2009

The Pirate Bay is carrying this spot-on cartoon on what we already knew about labels and studios: Their “new media—first radio, then TV, then tapes, then video—will kill our industry!” argument is simply stupid FUD.

[The Pirate Bay]

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